<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3118850616947017636</id><updated>2011-07-28T16:48:37.444-07:00</updated><title type='text'>Professor Frank Leon Roberts (Lecturer), New York University</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://queeraidsactivism.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3118850616947017636/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://queeraidsactivism.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>AIDS Activism/Queer Publics</name><uri>http://www.blogger.com/profile/02596192395815539537</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3118850616947017636.post-64170323454634974</id><published>2009-05-19T16:32:00.000-07:00</published><updated>2009-10-05T09:54:20.974-07:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: center; color: rgb(0, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;V18.0493 &lt;/span&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;Topics &lt;span style="color: rgb(255, 255, 255);"&gt;in Gender and Sexuality Studies&lt;/span&gt;: The U.S. AIDS Epidemic&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;SPRING 2009 &lt;/span&gt;&lt;br /&gt;*&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;DEPARTMENT OF SOCIAL AND CULTURAL ANALYSIS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;PROGRAM IN GENDER AND SEXUALITY STUDIES&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;NEW YORK UNIVERSITY&lt;/span&gt;&lt;br /&gt;*&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;PROFESSOR FRANK LEON ROBERTS&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;OFFICE HOURS BY APPOINTMENT ONLY: FRANKROBERTS@NYU.EDU &lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;WEDNESDAYS 11-1:45PM&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;194 MERCER STREET, ROOM 209 &lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a style="color: rgb(0, 0, 0);" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_6p3K3p9stMM/SZtZd9AiimI/AAAAAAAAAAU/Lz6nt8zRxQw/s1600-h/die_in_poster.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 243px; height: 400px;" src="http://3.bp.blogspot.com/_6p3K3p9stMM/SZtZd9AiimI/AAAAAAAAAAU/Lz6nt8zRxQw/s400/die_in_poster.jpg" alt="" id="BLOGGER_PHOTO_ID_5303931357286795874" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center; color: rgb(0, 0, 0);"&gt;*&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0); font-weight: bold;"&gt;Course Description:&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="color: rgb(0, 0, 0); font-weight: bold;"&gt;This advanced seminar provides students with a rigorous overview of the history of AIDS activism in the United States as well as an introduction to the frontlines of grassroots political activism around HIV/AIDS here in New York City. Through our reading material, we will pay attention to the unique and richly varied forms that queer “activism” around the AIDS epidemic has taken including examples from photography and visual art, film and video, direct action protests, theater, literature, and cultural criticism. These historical readings will be supplemented by guest lectures from representatives from community-based organizations such as The ACT UP Oral History Project, The Gay Men’s Health Crisis (GMHC), the Visual AIDS Project, and People of Color in Crisis (P.O.C.C.), among others. Topics discussed will include the politics of pornography and “bare backing;” club culture and queer nightlife scenes; bathhouses and public sex; AIDS and the prison industrial complex, histories of AIDS activist community initiatives such as the AIDS Memorial Quilt and the SILENCE=DEATH project of ACT UP; the emergence of alternative AIDS film, video, and media collectives; people of color and the “new face” of AIDS; the criminality of HIV positive non-disclosure; and the politics behind the “end of AIDS” as a mainstream queer social justice issue in light of a more recent focus on “gay marriage.”&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 0); font-weight: bold;"&gt;Required Texts:&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;1. Course Reader/Blackboard Readings&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;2. Alexandra Juhasz, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;AIDS TV: Identity, Community, and Alternative Video&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt; (Duke University Press, 1995)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;3. Fiona Buckland, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;Impossible Dance: Club Culture and Queer Worldmaking&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt; (Wesleyan Press , 2002)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;4. Patrick Moore, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality&lt;/span&gt; (Beacon Press, 2004)&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;5. Benjamin Dov Fleury-Steine, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;Dying Inside: The HIV/AIDS Ward at Limestone Priso&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;n (University of Michigan Press, 2008)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;6. Michael Warner, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;The Trouble With Normal: Sex, Politics, and the Ethics of Queer Life &lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;(Harvard University Press, 1999)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;7. David Roman, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;Acts of Intervention: Performance, Gay Culture, and AIDS &lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;(Indiana University Press, 1998)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;8. Michele Tracy Berger, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;Workable Sisterhood: The Political Journey of Stigmatized Women with HIV/AIDS&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt; (Princeton University Press, 2004)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;9. David Gere, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;How to Make Dances in an Epidemic: Tracking Choreography in the Age of AIDS &lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;(Univ. of Wisconsin, 2004)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;10. Keith Boykin, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;Beyond the Down Low: Sex, Lies, and Denial in Black America &lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;(Da Capo Press, 2006)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;11. Thomas Sevory, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;Notorious H.I.V.: The Media Spectacle of Nashuan Williams &lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;(University of Minnesota Press, 2004)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;12. David Halperin, &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(255, 255, 255); font-weight: bold;"&gt;Saint Foucault: Towards a Gay Hagiography&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt; (Oxford University Press, 1995)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt;13. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Douglas Crimp, &lt;span style="font-style: italic;"&gt;Melancholia and Moralism: Essays on AIDS and Queer Politics&lt;/span&gt;&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255); font-weight: bold;"&gt; (MIT Press)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;*This blog site is intended for student use and communication.&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3118850616947017636-64170323454634974?l=queeraidsactivism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queeraidsactivism.blogspot.com/feeds/64170323454634974/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://queeraidsactivism.blogspot.com/2009/02/v18.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3118850616947017636/posts/default/64170323454634974'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3118850616947017636/posts/default/64170323454634974'/><link rel='alternate' type='text/html' href='http://queeraidsactivism.blogspot.com/2009/02/v18.html' title=''/><author><name>AIDS Activism/Queer Publics</name><uri>http://www.blogger.com/profile/02596192395815539537</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_6p3K3p9stMM/SZtZd9AiimI/AAAAAAAAAAU/Lz6nt8zRxQw/s72-c/die_in_poster.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3118850616947017636.post-7643863414782044843</id><published>2009-04-29T07:40:00.000-07:00</published><updated>2009-10-05T09:51:59.396-07:00</updated><title type='text'>End of Semester Review</title><content type='html'>&lt;span style="color: rgb(255, 255, 255);"&gt;1. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Douglas Crimp, Melancholia and Moralism: Essays on AIDS and Queer Politics&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: melancholia, moralism, mourning; 10 basic concepts in pyschoanalysis&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;2. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Patrick Moore, Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality and/or Jose Esteban Munoz “Ghosts of Public Sex,” and/or Allen Berube, “History of Gay Bathhouses”&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: 1970s gay sex as performance art; the utility of shame?; generational divide/generational shame; contacts (social realm) vs. networks (capital realm)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;3. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;David M. Halperin, Saint=Foucault: Towards a Gay Hagiography&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: ascesis, technologies of the self; becoming; friendship as a way of life; "queer"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;4. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;David Roman, Acts of Intervention: Performance, Gay Culture, and AIDS &amp;amp;/or Sarah Schulman, “Rent: The Dirt” (etc.) in Stagestruck: Theater, AIDS, and the Marketing of Gay America&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: critical generosity, diva identification, critical nostalgia, authenticity, representation, AIDS as trendy/fashionable; "official" art, An epidemic of signification,&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;5. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Fiona Buckland, Impossible Dance: Club Culture and Queer Worldmaking&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;&amp;amp;/or David Gere, How To Have Dances in an Epidemic: Tracking Choreography in the Age of AIDS&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: worldmaking, third spaces, self-fashioning, queer times and temporalities; dancing as mourning/melancholia; theaters of memory,&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;6. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Michael Warner, The Trouble With Normal: Sex, Politics, and the Ethics of Queer Life&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt; &amp;amp;/or Kenyon Farrow, Frank Leon Roberts,&lt;/span&gt;&lt;span style="color: rgb(255, 255, 255);"&gt; et. Al&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: rethinking marriage, heteronormativity, normal vs. normative, gay rights vs. civil rights, gay adoption, morality, moralism, stigmaphile/stigmaphobe&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;7. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Tim Dean, “Breeding Culture: Barebacking, Bugchasing, Giftgiving”&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;&amp;amp;/or Leo Bersani, “Is The Rectum a Grave?”&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: kinship, AIDS as "life giving" rather than death-sentence, barebacker as identity; AIDS identities; harm &amp;amp; risk reduction; barebacking as critical melancholia; death drive (Freud); barebacking as refusal; de-pathologizing sexual practices&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;8. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Alexandra Juhasz, AIDS TV: Identity, Community, and Alternative Video&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: expert witnesses; mimetic practices, AIDS film and video as an event rather than an object (emphasizing processes of production); documentary film as memory, mourning, the "filmic body," "native informants"&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;9. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Peggy Phelan, “Infected Eyes: Dying Man with a Movie Camera, Silverlake Life: A View from Here” &amp;amp;/or Jose Esteban Munoz, Disidentifications: Queers of Color and the Performance of Politics&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: identification, counteridentification, disidentification;interpellation vs. performativity&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;10. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Michele Tracy Berger, Workable Sisterhood: The Political Journey of Stigmatized Women with HIV/AIDS &amp;amp;/or Cathy Cohen, “Punks, Bulldagers, and Welfare Queens” in Black Queer Studies: An Introduction&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: intersectionality (political/representational/structural); intersectional stigma, AIDS as violence ; disidentifying with "queer"; coaltional politics&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;11. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Benjamin Dov Fleury-Steine, Dying Inside: The HIV/AIDS Ward at Limestone Prison&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt; &amp;amp;/or Angela Davis, Are Prisons Obsolete?&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;keywords: privatization, mitigating destructiveness, PIC (prison industrial complex); the normalization of suffering, zone of lethal abandonment&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;12. &lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt;Keith Boykin, Beyond the Down Low: Sex, Lies, and Denial in Black America&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(255, 255, 255);"&gt;13.&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(255, 255, 255);"&gt; Thomas Sevory, Notorious H.I.V.: The Media Spectacle of Nashuan Williams&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3118850616947017636-7643863414782044843?l=queeraidsactivism.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://queeraidsactivism.blogspot.com/feeds/7643863414782044843/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://queeraidsactivism.blogspot.com/2009/04/semester-review.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3118850616947017636/posts/default/7643863414782044843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3118850616947017636/posts/default/7643863414782044843'/><link rel='alternate' type='text/html' href='http://queeraidsactivism.blogspot.com/2009/04/semester-review.html' title='End of Semester Review'/><author><name>AIDS Activism/Queer Publics</name><uri>http://www.blogger.com/profile/02596192395815539537</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
